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	<title>Ceniza en la boca Archives - El Sol News Media</title>
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		<title>El mexicano Diego Luna presenta en Cannes una historia de migrantes en clave femenina</title>
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		<dc:creator><![CDATA[Sara Pacheco]]></dc:creator>
		<pubDate>Sat, 16 May 2026 20:11:18 +0000</pubDate>
				<category><![CDATA[Cine]]></category>
		<category><![CDATA[Destacados B]]></category>
		<category><![CDATA[Entretenimiento]]></category>
		<category><![CDATA[#yobrilloconelsol]]></category>
		<category><![CDATA[Cannes]]></category>
		<category><![CDATA[Ceniza en la boca]]></category>
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					<description><![CDATA[<p>El actor mexicano Diego Luna presentó en Cannes &#8220;Ceniza en la boca&#8221;, un filme sobre una madre y sus dos hijos que emigran a España, en una historia donde las mujeres tienen un protagonismo especial. Basada en el libro homónimo de la también mexicana Brenda Navarro, la película cuenta las dificultades con las que se [&#8230;]</p>
<p>The post <a href="https://elsolnewsmedia.com/diego-luna-cannes/">El mexicano Diego Luna presenta en Cannes una historia de migrantes en clave femenina</a> appeared first on <a href="https://elsolnewsmedia.com">El Sol News Media</a>.</p>
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										<content:encoded><![CDATA[<p><strong>El actor mexicano Diego Luna presentó en Cannes &#8220;<a href="https://www.youtube.com/watch?v=zwkumKfsJOs" target="_blank" rel="noopener">Ceniza</a> en la boca&#8221;, un filme sobre una madre y sus dos hijos que emigran a España, en una historia donde las mujeres tienen un protagonismo especial.</strong></p>
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<p>Basada en el libro homónimo de la también mexicana Brenda Navarro, la película cuenta las dificultades con las que se topa Lucila, de 21 años, y su hermano adolescente Diego cuando viajan a Madrid para reunirse con su madre, que se fue años atrás.</p>
<p>Tras haber tenido que cuidar a su hermano menor durante todo este tiempo, Lucila (Anna Díaz) se ve obligada ahora a aceptar varios trabajos, desde niñera hasta repartidora.</p>
<p><strong>Las familias con las que tiene que trabajar no son siempre las más acogedoras, pero necesita el dinero.</strong></p>
<p>&#8220;La historia es importante porque habla sobre los que se van, por qué se van&#8221;, dice Luna a AFP. Pero es una película también &#8220;sobre los que reciben y quiénes somos cuando recibimos&#8221;.</p>
<p>Para el intérprete de &#8220;Y tu mamá también&#8221; y &#8220;Narcos&#8221;, finalmente todos podemos encontrarnos en la situación de acoger a alguien.</p>
<p>&#8220;Todos estamos en esta complejidad de alguna forma, no importa en qué parte del mundo vivas. Lo puedes ver a menor escala, a una escala pequeñita en tu comunidad&#8230; siempre llega alguien&#8221;.</p>
<p><strong>&#8220;¿Quién eres tú cuando alguien llega? Porque ahí demuestras realmente quién eres&#8221;, se pregunta.</strong></p>
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<p>&#8220;Son muchísimos y cada vez van a ser más los que se mueven porque no tienen otra opción [&#8230;] Pero siempre seremos más los que recibimos, siempre&#8221;, prosigue. &#8220;Hoy los que recibimos, tenemos la oportunidad de cuestionarnos y, probablemente, ser una mejor versión de nosotros&#8221;.</p>
<div class="jeg_video_container jeg_video_content"><iframe title="ASHES - Photocall - VO - Cannes 2026" width="500" height="281" src="https://www.youtube.com/embed/XXN6INVcOpU?feature=oembed&#038;enablejsapi=1&#038;origin=https://elsolnewsmedia.com" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
<p style="text-align: center"><strong>Puedes leer: <a href="https://elsolnewsmedia.com/hollywood-cannes/" target="_blank" rel="noopener">¿Tiene Hollywood miedo del Festival de Cannes?</a></strong></p>
<h2>Película &#8220;profundamente femenina&#8221;</h2>
<p>En esta pequeña familia, los dos hijos ven a la madre como si los hubiera abandonado. Les cuesta entender que se fue en busca de una vida mejor para todos.</p>
<p>&#8220;Ceniza en la boca&#8221; trata también de la ausencia, dice Luna. &#8220;Está la ausencia del padre, la ausencia de la madre y las ausencias que se van acumulando en el camino por los múltiples motivos, por la migración propia&#8221;, comenta.</p>
<p><strong>Las historias de distancia entre padres e hijos siempre le han interesado, incide, puesto que perdió a su madre cuando tenía dos años.</strong></p>
<p>Es una película &#8220;profundamente femenina&#8221;, afirma por su parte la actriz Adriana Paz, que da vida a la madre.</p>
<p>En ella hay una niña que se vuelve adulta de repente, cuando se encuentra a cargo de su hermano de un día para el otro.</p>
<p>Años después, también están las amigas de Lucila en España, con las que comparte problemas, vicisitudes y también alguna fiesta.</p>
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<p><strong>La cinta muestra &#8220;la importancia de la comunidad, de la ayuda femenina y de cuántas cosas las mujeres tenemos que atravesar muchas veces solas&#8221;, insiste Paz, que en 2024 ganó en Cannes, junto a sus compañeras de reparto, el premio a la mejor interpretación femenina con &#8220;Emilia Pérez&#8221;.</strong></p>
<p>&#8220;Ceniza en la boca&#8221;, presentada en Cannes fuera de competición, no es la primera película en la que Luna pasa detrás de la cámara. En su anterior filme como director, &#8220;Sr. Pig&#8221; (2016), ya abordó el tema de las relaciones familiares, a través de un padre y una hija distanciados.</p>
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<p><span style="color: #808080"><em>Por: AFP</em></span></p>
<p>The post <a href="https://elsolnewsmedia.com/diego-luna-cannes/">El mexicano Diego Luna presenta en Cannes una historia de migrantes en clave femenina</a> appeared first on <a href="https://elsolnewsmedia.com">El Sol News Media</a>.</p>
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